- #Dxo filmpack 4 serial number mac osx#
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Windows system requirements are Vista 64-bit or Windows 7 64-bit.
#Dxo filmpack 4 serial number mac osx#
Macintosh system requirements are a multicore 64-bit Intel processor running Mac OSX 10.6.x through OSX 10.8.x.
#Dxo filmpack 4 serial number pro#
Avid Symphony, Media Composer, Newscutter, Xpress Pro.And unlike the other products, these filters work on both stills and video, although video requires a more expensive license.įor still photos, Film Stocks is compatible with: Which was just a bit too far for this job.ĭFT provides an interesting option, though, in Film Stocks, which simulates 288 still photographic film stocks, motion picture films stocks and historical photographic processes.
It even goes so far as to add dust and simulate other physical defects. It's an impressive package.Īnd, as we noted above, Alien Skin's Exposure 4 also emulates films and historical processes. One reason that thought occurred to us was because we'd reviewed DxO's FilmPack 3, a collection of 60 emulsion renderings devised from film emulsion processed in Paris and New York labs. If it's a film-era lens, why don't we give the images a film-era look? And we tapped into macro mode to shoot some flowers that were posing around here recently (one of which we've used for this review). We shot the America's Cup World Series with this setup, relying on its telephoto reach. And the E-PL1 magnifies any part of the scene you point it to, which is a real aid in macro work. We see what we're getting on the LCD or the EVF, depending on the situation. Fortunately, there is no optical viewfinder on the E-PL1 to confuse us.
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The Vivitar doesn't automatically focus and it can be difficult to judge manual focus. We set the E-PL1 to Aperture Priority mode, let it meter the scene and set the shutter speed and focus on, well, focusing. But focus is another option to consider with this arrangement. For the most part, we leave it tightened down in the straight-ahead position, which does not shift focus. The Tilt Transformer fits the Nikon-mount lens to the E-PL1 body. Which are, again, aided by image stabilization. Second, the Vivitar is a macro lens, too, focusing almost right to the front element or a few feet away, depending on the zoom barrel's position. And just to make the package sweeter, the E-PL1 has body-based image stabilization, so the Nikon-mount Vivitar enjoys something it never had on any of our Nikon bodies, film or digital. The 2x crop factor of the E-PL1 means we're shooting with a 140-420mm zoom. There are two things we really like about this package.įirst, the telephoto range is spectacular. Sold in a variety of mounts, the lens can still be found on the used market for less than $100. We used the charts on Mark Roberts' Vivitar page to decode the serial number. It was the heaviest of the five versions at 879g.
Version 1 featured a 67mm filter thread, 1:2.2 maximum magnification ratio and a lens construction of 15 elements in 10 groups.
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The serial number tells us it's Version 1 of the lens, manufactured for Vivitar by Kiron in January 1981. Our first zoom lens, it was all about the optical quality. And we bought it not long after we acquired our first SLR body. We bought our Series I on the recommendation of a photo journalist we greatly respected. And our latest crush is shooting with our venerable Vivitar Series I 70-210mm macro zoom mounted to on an Olympus E-PL1 micro 4/3 digicam using a Lensbaby Tilt Transformer. We've recently fallen in love with taking Micro Four-Thirds digital images with our old (30 years old) film lenses. And we did recently review its iPad app Tiffen Photo fx Ultra, which we thoroughly enjoyed.īut before we installed its big brother Dfx, we had a more pressing creative task we thought Film Stocks might help with. We've had occasion to chat with President Marco Paolini at trade shows, getting demos on the company's inriguing products and making ourselves a note to review some of them. In addition to DxO FilmPack (which we recently reviewed), and AlienSkin Exposure 4 (which we are testing), Digital Film Tools has a product, Film Stocks, for either stills or video.ĭigital Film Tools has won three Emmy Awards for its expertise in special effects in feature films, commercials and television shows but what its Film Stocks plug-in really wants to do is make your images winners.
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